EN
OnLand Shanghai
席地而作 上海
2025
#134
项目：席地而作 上海
地址：上海新天地东台里
类型：室内设计
面积：89㎡
年份：2025
灯光：光维灯光设计顾问
道具：相样 FormOn
摄影：Lihao
Project: Onland Shanghai
Location: XTD Galleri, Shanghai
Type: Interior Design
Area: 89㎡
Year: 2025
Lighting Design: GW Lighting Design
Custom Fixtures: FormOn
Photography: Lihao
又为席地而作完成了新的空间设计，很开心。
这次在上海新天地东台里的空间，我们延续了天目里店的出发点，从工坊出发。我们把更多重点放在物件是如何被使用、被触碰、被重新放置，而不只是它们被陈列得有多“好看”。
面对新天地店更大的展面尺度，空间并没有被一次性切割完成，而是通过一组可移动、可重组的道具来慢慢组织。折扇形的陈列台既像屏风，也像临时摊子：可以折叠、展开，正反两面使用不同材质，既能挂，也能摆，同时承担分区、展示和引导动线的功能。零售不再依赖固定柜体，而是像街头摊子一样，根据物件和使用状态不断调整。
空间中引入棉线作为轻质的悬挂系统，从桁架自然垂下，用简单的绳结挂起小物件；水泥墩作为配重，让整个系统在不增加额外结构的前提下成立。这些做法并不是为了造型，而是一种街头智慧的转译，用最少的材料，解决最直接的问题。
货柜系统选择了成品工业货架，并嵌入白色木柜进行再组织，让工业尺度和手作气质共存。货架不被当作一个完成的展示系统，而是一种可以被持续调整的基础结构。
这次的新天地店，我们并没有停留在“自由摆放”本身，而是在工坊的原点上，进一步发展出一套更精细、也更有巧思的道具系统。它们来自我们对席地而作产品越来越熟悉之后的判断，也让空间在保持灵活的同时，变得更具体、更好用。
这次在上海新天地东台里的空间，我们延续了天目里店的出发点，从工坊出发。我们把更多重点放在物件是如何被使用、被触碰、被重新放置，而不只是它们被陈列得有多“好看”。
面对新天地店更大的展面尺度，空间并没有被一次性切割完成，而是通过一组可移动、可重组的道具来慢慢组织。折扇形的陈列台既像屏风，也像临时摊子：可以折叠、展开，正反两面使用不同材质，既能挂，也能摆，同时承担分区、展示和引导动线的功能。零售不再依赖固定柜体，而是像街头摊子一样，根据物件和使用状态不断调整。
空间中引入棉线作为轻质的悬挂系统，从桁架自然垂下，用简单的绳结挂起小物件；水泥墩作为配重，让整个系统在不增加额外结构的前提下成立。这些做法并不是为了造型，而是一种街头智慧的转译，用最少的材料，解决最直接的问题。
货柜系统选择了成品工业货架，并嵌入白色木柜进行再组织，让工业尺度和手作气质共存。货架不被当作一个完成的展示系统，而是一种可以被持续调整的基础结构。
这次的新天地店，我们并没有停留在“自由摆放”本身，而是在工坊的原点上，进一步发展出一套更精细、也更有巧思的道具系统。它们来自我们对席地而作产品越来越熟悉之后的判断，也让空间在保持灵活的同时，变得更具体、更好用。
We are delighted to have completed another space for Onland.
For this new location at XTD Galleria in Shanghai’s Xintiandi district, we continued the starting point established in the Tianmuli store: beginning from the idea of a workshop. The focus is less on how beautifully objects are displayed, and more on how they are used, touched, and repositioned in everyday interaction.
Facing a larger exhibition surface in the Xintiandi space, the interior was not divided all at once. Instead, it is gradually organized through a set of movable and reconfigurable display props. The fan-shaped display tables resemble both folding screens and temporary street stalls. They can fold and unfold, use different materials on each side, allow objects to hang or sit, and simultaneously serve as spatial dividers, display surfaces, and guides for circulation. Retail no longer relies on fixed cabinetry but behaves more like a street stall—continuously adjusting according to objects and their modes of use.
Cotton threads are introduced as a lightweight hanging system, descending naturally from the truss above. Small objects are suspended with simple knots, while concrete blocks act as counterweights, allowing the system to function without adding extra structural elements. These strategies are not about formal expression, but about translating everyday street intelligence—solving direct problems with the fewest possible materials.
The shelving system adopts standard industrial racks, combined with inserted white wooden cabinets to reorganize storage. This allows industrial scale and handcrafted sensibility to coexist. Rather than acting as a finished display system, the shelves remain a basic structure that can be continuously adjusted.
For this XTD store, we did not stop at the idea of “free placement.” Starting again from the workshop concept, we further developed a more refined and thoughtful system of props. These elements emerged from our growing familiarity with Onland’s products, allowing the space to remain flexible while becoming more specific and practical in everyday use.
For this new location at XTD Galleria in Shanghai’s Xintiandi district, we continued the starting point established in the Tianmuli store: beginning from the idea of a workshop. The focus is less on how beautifully objects are displayed, and more on how they are used, touched, and repositioned in everyday interaction.
Facing a larger exhibition surface in the Xintiandi space, the interior was not divided all at once. Instead, it is gradually organized through a set of movable and reconfigurable display props. The fan-shaped display tables resemble both folding screens and temporary street stalls. They can fold and unfold, use different materials on each side, allow objects to hang or sit, and simultaneously serve as spatial dividers, display surfaces, and guides for circulation. Retail no longer relies on fixed cabinetry but behaves more like a street stall—continuously adjusting according to objects and their modes of use.
Cotton threads are introduced as a lightweight hanging system, descending naturally from the truss above. Small objects are suspended with simple knots, while concrete blocks act as counterweights, allowing the system to function without adding extra structural elements. These strategies are not about formal expression, but about translating everyday street intelligence—solving direct problems with the fewest possible materials.
The shelving system adopts standard industrial racks, combined with inserted white wooden cabinets to reorganize storage. This allows industrial scale and handcrafted sensibility to coexist. Rather than acting as a finished display system, the shelves remain a basic structure that can be continuously adjusted.
For this XTD store, we did not stop at the idea of “free placement.” Starting again from the workshop concept, we further developed a more refined and thoughtful system of props. These elements emerged from our growing familiarity with Onland’s products, allowing the space to remain flexible while becoming more specific and practical in everyday use.
